Arthur Noxon, Father of the
TubeTrap, demonstrating bass trapping concepts at Recording Arts
Center, Eugene, Oregon in 1985.
The TubeTrap is the world's first
commercially manufactured corner loaded bass trap. Acoustic Sciences
Corp. was founded in 1984 by Arthur Noxon to build and sell the
TubeTrap. The TubeTrap was also the world's first portable bass
trap, opening up an entirely new field in acoustics, namely audio
acoustics. Coupled with recent new advances in audio speakers
and solid state electronics, the necessary ingredients for explosive
growth in high end audio were at hand.
Unlike
any other bass trap, the physics behind the TubeTrap are based
on a capacitive-resistive circuit. The acoustic capacitor (C)
is the air chamber inside, the bigger it is, the more efficient
the TubeTrap is at low frequencies. The acoustic resistance (R)
is DC impedance matched to the radiation (LC) impedance of a freely
radiating soundwave. Because of this design feature, the TubeTrap
is more than 100% efficient.
Another unique feature is the adjustable
diffusion grid built into the TubeTrap. The specular diffusion
panel that covers half of the TubeTrap is an acoustic choke (L)
which is sized, ported and mass loaded to backscatter the treble
range.
Before
The Beginning Shortly after graduating in 1981 with a Masters
in Engineering, Mr. Noxon had established a small acoustic engineering
firm doing local projects in the Eugene, Oregon area. In the course
of his work, he was hired to take care of a huge lecture hall
at the University of Oregon. The lecture hall had a serious resonance
problem at 125 Hz, not good for speech intelligibility. So he
set out in search of a suitable bass trap.
Mr.
Noxon had always been interested in low frequency acoustics since
his college days and endless hours observing wave theory using
a ripple tank (see picture). As he researched the availability
of bass traps, he found they only existed as custom units built
for recording studios. As he pondered and searched, he was frustrated
by the total avoidance of bass trapping within the acoustics field,
as though it didn't matter.
In an epiphany, he could think back
to his ripple tank days and "see" the acoustic waves.
That led to the concept of the acoustic resistor, something that
nobody had thought of till Mr. Noxon. Yes, bass traps existed,
but they relied on membranes to deal with the pressure wave. Now
it was time to test out Mr. Noxon's novel idea of applying a resistive-capacitive
circuit to low frequency acoustic waves. Could he apply in practice
this theory to the job at hand, the huge lecture hall at U of
O?
Almost
The First TubeTrap Mr. Noxon searched for suitable materials
for his bass trap, and knew he needed a porous walled cavity
to experiment with. He found some 2" semi-rigid fiberglass
duct board and experimented with it for a while. Then he found
the circular fiberglass pipe wrap which became the basis for
the familiar TubeTrap. The pipe wrap was easier to work with
since the cavity didn't have to be made, it was already there.
The problem was the resonance of the pipe wrap itself, the twang,
would cause resonant dips at certain frequencies. After much
experimentation, it was found that a wire mesh cage would muffle
the twang, much like holding a bell muffles the ring.
So, now Mr. Noxon could place columns
of his new TubeTraps in the corners of the U of O lecture hall,
and fix the 125 Hz resonance problem. But as he looked over
the test data of the lecture hall, he noticed that the numbers
didn't check out for a room that size. Something wasn't quite
right, the resonance at 125 Hz couldn't be caused by the room
itself. So he went back to the hall to take a closer look. It
turned out that the desk tops and the tiered design of the room
were the real cause of the resonance, and the fix was to structurally
strengthen the desk tops. The TubeTraps would have to wait for
another opportunity.
The First
TubeTrap One
day the phone rang and it was the local hi-fi shop getting ready
for a remodel. They had Magneplanar speakers and they sounded
awful in their demo room. The folks at Bradford's
wanted something furniture-like, and Mr. Noxon figured maybe
his TubeTrap might be the ticket. Sure enough, they made those
Maggies sing, and Bradford's was thrilled. Years later, Mr.
Noxon bought those first TubeTraps back from Bradford's. They
are now stored in the ASC Archives for posterity, and Mr.
Noxon recently showed them off.
At the time, Mr. Noxon's day job was as a sanitation
engineer for the city, spending most of his time underground
in the sewers. While it paid well, it wasn't all that much fun.
Meanwhile, several speakers reps visiting Bradford's took note
of the TubeTraps and really liked what they heard. Some time
later, word reached John Dhalquist, a genious speaker designer
famous for high end quality, that he should check out these
TubeTraps.
Mr. Noxon gets a phone call from New York, it's
John Dhalquist wanting to order 4 TubeTraps to "try out".
Mr. Dhalquist liked them, but they were too dead in the treble
range. So, Arthur designed the now familiar reflector (which
originally was made of aluminum with holes drilled). However,
there was more to it than everyday hi-fi tweaking. Mr. Dhalquist
was getting ready to unveil his new DQ-10 speakers at the upcoming
CES Show, and placed an order for 30 TubeTraps to be delivered
at the show, and set up by Arthur and two associates.